Workflow Week: Day 1 - Overview

Equipment, General, Workflow 2 Comments »

A good friend of mine recently joined the corporate world. Among other things, he’s commented on the use of so many ambiguous or nebulous terms and concepts. One of those hot (and sometimes nebulous) terms is workflow. While workflow can be ambiguous and and, in some cases not very meaningful, it can be very powerful and important to describe how someone can work more effectively and efficiently.

In simpler terms, workflow can be described by answering three questions. What do I do? What order do I do it in? What tools do I use to do it?

So, for a theme this week, I’ll describe my workflow. Today will describe my photo workflow from the 50,000 foot view. It will describe what I do and the order I do it in. Then, additional posts this week will provide more detail into particular steps or tools.

My Workflow - An Overview

We’ll take a look at this from the perspective of an actual shoot. I’ll set each as time stamps, reflecting roughly the amount of time each stage takes. This is an average and spaced out over an hour for the sake of breaking out the time - some shoots will go faster and some will take longer.

Minute 0 : Start setting up for the shoot. Get camera ready. Canon 40D, with lens - almost always the 24-70 2.8L or 70-200 2.8L. Make sure I have enough memory cards. Make sure the lens is clean. Make sure the settings are where I need them. Check white balance, ISO, F-stop and Shutter Speed. Make sure the time setting is correct (the photos’ time stamps need to be accurate if I want to easily synch with any GPS data) Check the battery.

Minute 5 : Set up other gear. This depends largely on the type of shoot. If shooting landscape, make sure tripod and shutter release are set up. Turn on the GPS and set to take automatic readings every 5 minutes. Attach any needed filters. If a portrait session, set up any flashes, reflectors, etc. Possibly connect camera directly to laptop to shoot tethered.

Minute 10 : Begin shooting. This is one of the steps that has the most potential for variety. If it is a shoot for kids - it needs to be over quickly (a good number of our shoots for kids take 20 minutes or so - sometimes stretching to a few of the 20 minute sessions if other poses or outfits are needed). If it’s a landscape, I might be there for 3 or 4 hours waiting for various lighting. Make sure to continue changing settings as appropriate when the shot changes significantly. Switch filters, memory cards and batteries as the need arises.

Minute 30 : Pack it all up. Head back to the digital lab (either my office, or in the field, a laptop and a restaurant or the hotel).

Minute 35 : Insert cards into CompactFlash card readers. Adobe Lightroom (my tool of choice for importing, sorting and doing basic image editing - more on this later in the week) detects the cards and opens up an import dialog. I choose to copy the pictures from the card to my hard drive into particular folders. I also enable the setting to convert the Canon camera raw files to .dng. Repeat for all cards with pictures on them.

Minute 37 : Begin reviewing and sorting the pictures. One of the great things about Lightroom is that I can begin sorting/editing while other pictures from the card(s) are still importing.

I always go through two stages when reviewing pictures. The first is a basic pass, marking bad photos for deletion from my hard drive. Shots that were extremely out of focus, shot in the wrong direction, etc. I then permanently delete those photos. I know that some prefer to keep them all, but I like to keep more hard drive space usage as lean as possible. Also, some like to backup the photos automatically to another hard drive at this stage. I typically wait until later in the process (this hasn’t bitten me yet - I’m half waiting for the day that my hard drive crashes right after I import and clear off my memory card… the other half is hoping it’ll never happen).

I then do another, more thorough pass, marking my photos with ratings from 1-5. I don’t often use all 5. Usually just 3’s for the okay shots and 5’s for the best. All the rest are left at 0. If I had a very large or diverse set of photos, I might use more.

If I shot landscapes or travel photos and captured the GPS locations of the photos, I attach those GPS coordinates to the photos. I do so using GPicSync. You can read more about that at a previous post here.

Minute 42 : Create a collection (collections are ways to organize photos into different areas outside the standard folder structure) for this shoot. Create sub-collections called Good and Best and Use. Display only photos with 3’s and put them in the Good collection. Display 5’s and put them in the best collection.

Minute 45 : Begin editing photos, focusing on those in the Best collection. 80% of editing happens in lightroom - adjusting white balance if needed, tonal adjustments, playing with B&W, etc. Lightroom has a great Synch function that allows transferring the adjustments from one photo very quickly to a large number of other photos.

I then bring the photos that need some additional work over to Photoshop. It is best for adjustments that apply to just part of the photo, advanced cloning or masking, etc.

Minute 55 : Output photos. Use Lightrooms output modules (Slideshow, Print and Web) as needed. Print my own on my Canon
Canon PIXMA Pro9000. When larger prints are needed, export as .jpgs or .tiff for printing at an online vendor (I like MPix). Or, if needed In some cases, post up to my blog, e-mail, post in Flickr, etc.

Minute 59 : Back up photos to an external hard drive. Also, back up the Lightroom files once a week.

Minute 60 : Sit back and enjoy the photos. Begin planning the next shoot.

Terrific Deal on Super Fast CompactFlash

Equipment, General No Comments »

So I just went to B&H Photo (my favorite camera gear vendor) to pick up a few things to reward myself for passing the ACE and to get ready for my trip to Photoshop World in just a week and a half (more on that next week).

I started looking for an additonal CompactFlash card and decided to try one of the Lexar Professional cards - all the pros seem to use them. I typically use SanDisk’s Extreme series, but hey, I like to mix it up sometimes.

I found the 4GB version of the card and saw that it had a $35 mail-in rebate valid in March and April 2008. That dropped the price from $100 to $65. But wait, there’s more! After adding it to my cart dropped the immediate price down to $70, making it $35 after the rebate. So, I decided to get 2! I love B&H Photo - what a great present to myself for passing the test. Click here for the direct link to the card.

5 Great Gifts for the Landscape Photographer

Equipment, Landscape 1 Comment »

My brother’s birthday is this week (Happy Birthday Bro!) and I’ve been thinking about a good gift to get him. He’s a great photographer in many areas, including portrait and architecture. Some of his best work, though, is in landscape (the photo at the top of the post is his - you can click it for a larger view). I’d like to get him something for that in particular.

As I’ve given it thought, the following are the top 5 things I considered getting him and 5 great tools for the landscape photographer (in fact, a lot of these would be great for any photographer). Mmmmm… gear.

Hoodman HoudeLoupe

At around $70 this is one of the most cost effective gifts. It allows the outdoor photographer to more effectively see his camera’s LCD screen in the bright sun. I have one of these and love it.

You can check it out at Hoodman’s site here.

Gitzo Traveler Tripod

A good tripod is the cornerstone of landscape photography. If you’ve read my previous posts, you’ll know that I LOVE Gitzo tripods. Their build quality, great locks and overall cool look make them the best in the industry. The Traveler version is perfect when carrying it out in the field. It folds up to a ridiculously short 14″ and weighs in at only 2.2 lbs (for our metric readers, that is 35.5 cm and 1 kg). This one can get a bit pricey, though, with a price of $640 on B&H Photo. If you’re going this far, you might as well get their titanium version (it’s only $2,500).

Hmmm… maybe I’ll give my brother my Gitzo tripod and get this one for myself…

Check out the Gitzo site here for more.

Epson P-3000

When shooting in the field there never seems to be enough memory cards and the LCDs are never large enough. The P-3000 by Epson aims to help both problems. When a card is full you can plug the card into this small device and download the pictures onto its 40 GB drive. You can then view them on a crisp, bright 4″ display. It accepts a wide variety of card types and can view most popular camera raw files.

It comes in at around $400 and can be found on Epson’s web site (which has a few nice mail in rebates for a few months, knocking the price down to $300).

Garmin eTrex Legend HCx

I love geotagging my photos. If you haven’t tried it, you should. In brief, GeoTagging is a method that allows you to capture the location you took the photo at and store it in the photo’s metadata. You can then display the photo on a map using Flickr, Google, etc.

The Garmin eTrex is a small, handheld GPS unit that allows you to capture the location that you later synch up to your photos.

GeoTagging brings landscape (and travel) photography to a whole new level.

You can check out Garmin’s GPS units at their site. The eTrex Legend (which I have) is around $230. Make sure to get the HCx version. It has the better sensor, which allows you to get readings when under tree cover, in valleys, etc.

If you’d like to learn more about GeoTagging, you can check out some of my previous posts on the subject here, here, here, and here.

Photoshop CS3

Panoramas are cool. They can depict a landscape in a vert unique way. They can, however, sometimes be a bit of a pain to stitch together. Well, that isn’t the case any longer for anyone with Adobe Photoshop CS3. Besides being the industry standard for serious photography, this most recent version does an AMAZING job automatically stitching together a series of shots meant for a panorama. You have to see it to believe it.

You can pick up a copy of Photoshop for about $649 and can learn more at Adobe’s web site here.

Stringpods: A Super Portable Tripod

Equipment, How To No Comments »

About Stringpods

I love tripods - I own several and always like to go and browse through others when at the camera store. Recently, one particular tripod has received a lot of attention. More attention that Gitzos (a particularly great brand) or any of the others. And, to boot, it costs about $2.

What are these popular little things? Stringpods. Recently, I’ve seen at least 5 or 6 articles on Stringpods, a small, very portable tripod-like device. All are DIY (do-it-yourself) products and involve a string, screw and washer-type object. You put the screw in your camera’s mount area (the part in the bottom where you would screw a tripod in), the washer under your foot, connect the two with the string, and pull the camera up until the string is taught. As a result, the camera is supposed to be much more steady, which can come in very handy. I’ve seen reports that it can give you an extra 2 or 3 stops of light.

So, if you are at your camera’s fastest aperture (let’s say 2.8) and your shutter speed is at 1/60 of second. Anything below that can often become blurry (unless you have very steady hands). By using the stringpod, you can handhold the shot all the way down to 1/30 without loss of sharpness. This could be very cool.

Stringpod Results

I decided to put it to the test and build my own. It cost about $2 and took a little over 20 minutes to assemble (I made several - after the first, they went even faster). I’ve tried a few shots and it definately feels more stable and does allow you to handhold at slower shutter speeds. I’m not sure about the 3 stops, but at the price and size, I’d recommend putting one together and tossing it in your bag.

Build Your Own Stringpod

The following are the steps I took when putting it together.

1. Collect your materials. I found all mine in the same hardware aisle at Home Depot. The total cost was about $10 and I was able to make 4 strinpods, and had lots of string left over.

Piece of nylon string. Cut it to about the same height as you are (so that when you pull the string taught the camera will stop around eye level). A little longer is okay - you can trim as needed.
1/4″ bolt with larger threads. Mine was 1″ long and seemed to work well. It also had a nice head at the top for twisting.
1/4″ Washer. This is optional I suppose - I wanted something that would snug up against the bottom of the camera to hold it in place a bit better. I chose one that had metal on side and rubber on the other.
Larger Washer. This is the piece you step on. I choose a $1 carabiner

2. Tie one end of the string to the bolt, leaving about 1/4 of the bolt without string on it. I used a special fishing knot, called the Snell knot.

 

 

 

3. Once tied, I trimeed the string and singed it, along with the other, untied end. It helps keep the string from unraveling. Nylon string singes nicely.

 

 

 

4. Place the washer on the bolt, pushing/twisting it down snugly to the string.

 

 

 

5. Tie the other end of the string to your washer or other item. I chose a carabiner for several reasons. First, it was larger - I played around a bit and had a tougher time stepping on a small washer. Also, it provides some more meat to wrap the string around for storage or to shorten the stringpod when holding the camera a little lower.

That’s it - your stringpod is now finished.

Picking Your Gitzo

Equipment No Comments »

When it comes to photo gear, there are a few things worth saving for right from the beginning - a good camera bag and a good tripod. If you end up spending less to just get buy - don’t. You’ll end up replacing them anyways.

As far as tripods go, the best of the best are made by Gitzo. I have a Manfrotto, which has treated me well (Manfrotto is in the more than just getting by category), but Gitzos blow them away.

I recent purchased a small, portable Gitzo for landscape photography and I love it. Its weight, build quality and leg locking system (the patented g-locks) make it the best out there. The one downside? As usual, the price. They’ll run you between $250 and $1000. They’re worth every penny though.

Gitzo now has a tripod configurator to help you decide which is best for you. It’s a nice little flash web piece that takes into account the desired height, weight, load, price you’re willing to fork over, etc. and instantly displays matching models. It works pretty well - if you are in the U.S., though, make sure that you choose Imperial Unit from the top or you’ll end up trying to convert metric to U.S. measurements. You can access the configurator here.

My Gear

Equipment No Comments »

The following is a fairly comprehensive list of all the gear I use. As you’ll see I’m a Canon shooter. My favorite combination is the Canon 40D with the 2.8 24-70 lens.

As I acquire new equipment, I will update the list. This list is probably most useful because I would enthusiastically recommend any of these products - they all treat me very well!

Camera/Lenses

Canon 40D
Canon Rebel XT
Canon 2.8 70-200L
Canon 2.8 24-70L
Several SanDisk Extreme III 2 and 4 GB cards.

Support

Manfrotto 3021 BPRO Tripod Legs
Gitzo Weekend Basalt Tripod Legs (traveling legs)
Manfrotto 486 RC2 Ballhead (2 of these)
ProMag2 AW Shoulder Bag
Phenix QuadShocks (straps for the shoulder bag - read my review here)

Lighting

Canon Speedlite 430 EX
Canon Speedlite 580 EXII
Canon Transmitter ST-E2 Wireless Transmitter
Elinchrom D-Lite 4 Strobe Kit (2 400-watt strobes with softboxes, stands, etc)
Lastolite Tri Grip Reflector

Computer and Software

HP Desktop, 3 GB RAM, Windows Vista
Toshiba Laptop, 1 GB RAM, Windows XP
Adobe Design Premium CS3 (which includes Photoshop CS3 Extended)
Adobe Lightroom
Noiseware Professional (noise removal plugin for Photoshop - read my review here)

Canon PIXMA Pro9000 (photo printer)
HP Color LaserJet 2605dn (general duplex color printer)

Accessories

Garmin eTrex Legend (for GeoTagging - learn more about that here)
Hoodman HoudeLoupe
Shutter Release Cable

Various lighting stands, etc.